(b. 2001) Taff explores nostalgia, femininity, and interpersonal relationships through drawing and painting. Her portraiture evokes a distinct tenderness between space, sitter, and object. With serenity and remembrance, the washes of oil or graphite envelop the eye in a dreamlike beneficence. In contrast to the male-dominated representation of femininity, the artist subverts and reclaims the practice through self-portrayal.

A sound artist and improvisor working with radio electronics, sound sculpture, video, spatial audio, and performance. His current research explores how everyday objects double as involuntary antennas, absorbing and re-broadcasting stray electromagnetic and acoustic signals. Spawned by telecom and other industrial systems, these accidental relay points become unlikely portals for intimate acts of listening. Scharff sees them as case studies along a continuum that stretches from the epistemic rigor of Western science to its détournement by conspiratorial and fringe-spiritualist cultures. He builds devices and software that stage, record, and recontextualize these object–signal interactions, transducing latent fields into audible and kinetic forms; granting physical presence to phenomena that usually escape perception, situating them in relation to our bodies, architectures, and ecologies. His aim is not to affix a definitive truth, but to materialize the unseen so that it can be examined—critically and sensorially—within the complex infrastructures that shape contemporary experience.

(b. 2001) Chen is a multidisciplinary artist working primarily in sculpture and painting. Drawing from psycho analysis and cultural and economic theory, the artist examines how primal human compulsions - particularly those shaped by technology, consumption, and power - repeat themselves across historical and contemporary contexts. Chen’s academic background in social policy informs a materially driven practice that foregrounds the body as a site of both control and resistance. The artist’s works frequently incorporate humanoid materials such as animal fur, skin-textured rubber, synthetic hair, and industrial metal fixtures. These material juxtapositions generate visceral bodily responses and articulate the artist’s exploration of the unconscious and its entanglement with technological acceleration.

Chen’s work has recently been exhibited internationally by New Art Dealers Alliance (NADA), NYC, LUmkA, London, and Alexia Project, Shanghai. The artist’s works have been featured in publications such as Flash Art, Elephant Art Magazine, Office Magazine, IMPULSE Magazine, and Hypebae, among others.

Hoff is a multidisciplinary artist known for her work in sculpture, an artist living and working in New York. His work encompasses a variety of media, including sound, video, painting, and publishing. Hoff’s multidisciplinary approach begins at the user level—the level at which we interact with consumer technologies, media, and data. He has worked with computer viruses, inaudible data signals, ear worms, culture bound illnesses, dead zones, and hacked google maps as tools and framing devices for works that reimagine and expand the creative potential of digital networks beyond their economic and corporate-engineered use value. By exploiting and manufacturing technological and cognitive glitches, Hoff illuminates the social, political, and historical context of the software and media that we interact with on a daily basis. He has exhibited or performed at Artists Space, Bergen Kunsthall, Bielefelder Kunstverein, the Carpenter Center for the Visual Arts,Contemporary Arts Center (New Orleans), Hessel Museum of Art, ICA London, The Kitchen, Kunsthall Oslo, La Monnaie/De Munt, MassMOCA, MoMA/PS1, Museum of Contemporary Art (Denver), and the Onassis Cultural Center, among others.

Hoff co-founded the nonprofit organization Primary Information in 2006 to publish historical and contemporary artists’ books. He has edited or published hundreds of titles, including recent facsimile editions of Art-Rite, Broken Music, Black Art Notes, Cornelius Cardew’s Stockhausen Serves Imperialism, Godzilla: Asian American Art Network, The New Woman’s Survival Catalog, and Womens Work as well as new works by Lawrence Abu Hamdan, DeForrest Brown Jr, Tony Conrad, Dara Birnbaum, Constance DeJong, Alexandro Segade, Martine Syms, and Flora Yin-Wong, among many others.

(b. 1999) Tarquinio, a New York-based artist, obtained her BFA from Cooper Union in 2021. Exploring the line’s elusive role in representation, abstraction, and language, the artist’s process-based practice obscures ideas of familiarity, oscillating between literal and imagined. As an intervention to Tarquinio’s system, unique and absurd photo material inspires further exploration into the realm of abstraction. The finished product, skewed and abstracted into a chromatically layered composition, encrypts the trials and tribulations of the artist’s rigorous and intimate process.

Tarquinio is a recent recipient of the 2023 Abbey Scholarship in Painting and 2022 Rolf G. Haerem Paint Award. The artist’s work has been shown internationally at the Fundacion Maceta, Mexico City, Mexico; Romanian Academy in Rome, Rome, Italy; The British School, Rome, Italy; among others. 

Born in Los Angeles, CA experiment with the limits of storytelling through the lens of a camera. A filmmaker, the Artist’s work employs themes of the provocative and visceral to explore intersection between of relationships, gender, and sexuality. Her recent work includes “La Petit Mort “(2021), an erotic horror story that illustrates the dangers of fantasizing over a stranger; “Her’s”(2022) takes on a homemade approach to a psychological thriller equating an anxiety attack to a ticking bomb wrapped up in ones’ intestines; and “Drop Dead Dream” which explores chosen family and mortality in the modern day punk rock scene of NYC (upcoming Feature).

Nagel is an artist working with photography, currently based in New York City. The artist is a recipient of the American Photography 40 award (2024) and the Parsons School of Design 50% Merit Scholarship (2023). Selected exhibitions include ‘Contact’, The 25th Pingyao International Photography Festival (2025); ‘Andes, America’, The Corner Gallery, New York (2024); and ‘Transcending Perspectives’, American Center for Photographers, North Carolina (2024). Selected press includes Museé Magazine (2025), Die Zeit (2023), and Bloomberg (2021).

Cheveldave’s practice brings together a range of processes including photography, painting, 3D rendering and sculpture that culminate in densely layered collages and assemblages. His practice critically engages the ways in which Western consumer culture generates and controls the communication of contemporary identity. Images harvested from accessible sources – including digital visual archives of commerce, like Craigslist, and social media, or cut-outs from daily commuter papers – are layered onto the artist’s personal photographs. The resultant image manipulations explore the readymade subject formations that occur when individuals are driven to craft, perform and disseminate their own imaged identity to be consumed by others.

REKOSH is a Romanian-American, Brooklyn-based artist. Born in Manhattan, the artist spent formative years in Budapest and New York City, returning to New York permanently in 2008. Informed by a classical and life-long art education, Rekosh constructs multimedia sculptures that bridge place, medium, and language. The artist graduated from Pratt Institute in 2023 with a BFA in Sculpture and Integrated Practices. Rekosh is a 2024 recipient of the New York State Council on the Arts (NYSCA) for the FY2024 grant. 

(b.2002) Peng’s work draws inspiration from the body and its impulses to investigate how political structures, cultural memory, and systems of control affect rhythm and sensory experience. With this intention, Peng’s ever-evolving project, “CARE,” intersects sound, performance, and labor to generate site-specific artistic responses. In 2025, LINX presented her live performance piece CARE at TANK, West Bund Art & Design, Shanghai.

As the founder and artistic director of the Alexia Project, a platform dedicated to practice-based and alternative perspectives in contemporary art, LINX curated its inaugural practice—exhibition “Don’t, Don’t Do It Again”, which opened near the Bund in late 2024. The project reflects her distinct approach to curation and interdisciplinary artistic practice. Currently, LINX continues to delve into bodily experience, sound design, and materiality, aiming to foster cross-media artistic exchange within subcultural communities.

(b. 1988) Condina is a Sicilian/Italian-American interdisciplinary artist and filmmaker working in land, performance, textile, ceramics, and painting. The artist’s practice utilizes duration, repetition, labor, and self-documentation to test the boundaries of the human condition. Employing themes of (re)birth, womanhood, and embodied memory, Condina organizes a dialogue between earth and body to explore humanity’s relationship with nature. The artist’s performance-based work was exhibited at the 2022 Venice Biennale, the Museum of Texas Tech University 2020 exhibition; Land Arts of the American West; among other international galleries.

(b. 1996) Patricia is a visual artist and poet based in Brooklyn, NY. Patricia’s practice spans sculpture, painting, and performance. Her work draws from Peruvian and Caribbean symbolism, as well as autobiographical fragments, to explore gender, race, and sexual politics. She is best known for her highly detailed glass-beaded relief sculptures, which are collaged with concrete and glass dust to create multilayered images that chronicle the transformation and power relations of the human and collective body.

(b. 2000) Çelik explores femininity and domesticity through a lens bridged by the dichotomy of Western and Muslim culture. Using primarily found objects, ethically acquired animal products, and industrial building materials, Celik’s work organizes a language formed by the architectures of neglect— a product of a childhood split between America and Turkey.

ANNA TING MÖLLER has an MFA in Visual Art, with a concentration in installation and expanded practices and a BFA from Konstfack University, Stockholm 2018). The artist explores the intersections of materiality, transformation, and bodily processes by working in symbiosis with a kombucha mother to create ephemeral sculpture/installation/performance that challenge conventional notions of life, death, lineage and care. Focusing on themes such as the sexualized and grotesque, Möller’s art critiques societal constructs, particularly the fetishization of the Other. Möller recently completed a commission for and currently exhibited by MASS MoCA. Möller’s work has been exhibited by Liljevalchs Konsthall, Stockholm, SE; ArkDes, SE; Carl Eldh, SE; ICPNA La Molina, PE; Luan Gallery, CH; Jyväskylä Art Museum, FI; Titanik, FI; Supper Club Fair, Hong Kong, HK; Gallery Tutu, US; Island Gallery, US; Murmurs, US; Urban Glass, US; Alexander Berggruen, US; Phillips New York, US; and Ceysson & Bénétière, US. They participated in the 45th Tendencies Biennale in Norway and The Immigrant Artist Biennale in New York. The artist’s work has been reviewed in publications such as Hyperallergic and Brooklyn Rail, among others. Möller has received residencies and fellowships from EFA Robert Blackburn, US; Kronobergs Kulturpris, SE; Asia Art Archive in America, US; Lower Manhattan Cultural Council (LMCC), US; The Sweden-America Foundation, SE, and presented public lectures at several universities and institutions, including Brooklyn Rail’s The New Social Environment #1180 (2025, Online), Zurich University of the Arts (2024, Online), Jyväskylä Art Museum (2024, Online), School of Visual Arts (2024, US), and Accelerator

Kunsthalle, Stockholm University (2020, SE).

Rothen uses her photographs, films and installations to explore and deconstruct conventional conceptions of female beauty and gender politics. Screenings and solo exhibitions of her work have been organized at Steven Kasher Gallery in New York, Polka Galerie in Paris, Biennale Images Vevey, Galerie Stephan Witschi in Zurich, The Little Black Gallery, London, Ingrid Deuss gallery in Antwerp and Kaune Contemporary in Cologne. Her work has been the subject of four monographs; Snow and Rose & other tales, Shadows in Paradise, Mail Order and Making It Real all published by b.frank books. Rothen's films include Like a Dream (2024), Mail Order (2019), The Woman with a Crown (2014) and Desert of June (2014). Her work has been featured in Apartamento Magazine, The New Yorker, Upstate Diary, New York Magazine, The Paris Review, Vogue, Photoworks, Elephant, Interview, AnOther and Huffington Post.